Donatella Versace Brings ‘90s Positivity to the Runway with Clashing Prints and Colors





Donatella Versace knows how to make an entrance, and her Spring 2025 collection was no exception. Set against the stunning backdrop of the 15th-century Castello Sforzesco in Milan, the scene was primed for a night of high fashion and high spirits. “I feel it’s fashion’s responsibility to do a little bit to bring people’s spirits up,” she said during a preview, and her latest collection was a vibrant, unapologetic reflection of that ethos.





With soaring opera music transitioning into electrifying beats, the runway came to life as a dramatic lightning bolt shattered the calm, signaling the start of a riotous clash of colors and prints that transported the audience straight back to the ‘90s.





The collection was an explosion of bold combinations — yellows, browns, lavenders, and baby blues jostled for attention in a playful rebellion against muted tones. Casual yet cutting-edge, the clothes felt more high street than high fashion, embracing a ‘pretty-ugly’ aesthetic that only Versace can pull off.





Versace’s ’90s inspiration was clear in the separates, which dominated the collection. Women strutted in floral slip dresses, silky button-up blouses, and zigzag polo sweaters, while accessorizing with colored tights and slingbacks. For men, it was all about rave-ready jeans, sheer floral shirts, and lounge sets, with a daring touch of midriff-baring silky-front cardigans and Medusa-print leather jackets. Flip-flops with socks? Absolutely.
Just as the crowd was settling into this youthful exuberance, Versace’s signature tailoring made a powerful statement. A shrunken baby blue double-breasted blazer and a lemon-yellow suit with flared pants injected a dose of Italian precision and glamour, grounding the collection in the unmistakable Versace luxury DNA.





The iconic metal mesh returned, reimagined in a more sustainable form, with 3D-printed recycled nylon polymers adding a modern twist. A standout moment was a stunning yellow gold bustier dress that fused innovation with Versace’s timeless sensuality. Mesh reappeared in more traditional floral slips and form-fitting designs, reminding us that even when pushing boundaries, Versace never strays far from its roots.

Accessories carried the quirky spirit forward, with sculptural heels shaped like wine glass stems and perfume bottle details adding a playful, surrealist edge. In a nod to sustainability, flower brooches crafted from recycled plastic bottles and even cigarette butts offered a provocative commentary, prompting Donatella to quip, “So I think I can still smoke.”

The collection’s nostalgic references to the 1997 Versus line, with its slinky satin slips and clashing prints, conjured a time when fashion was freer, and Donatella was finding her own voice at the helm of Versace’s younger diffusion label. “It was freedom, happiness, not too much thinking,” she recalled, encapsulating the carefree essence that defined her Spring 2025 show.

At a time when fashion often feels weighed down by intellectualism and existentialism, Versace’s collection was a breath of fresh air. It reminded us that fashion, at its best, is about joy, optimism, and a bit of rebellious fun.



