The grayscale world conjured up each season by Thom Browne is bizarre, twisted, sometimes unintentionally hilarious, and sometimes entirely intentionally so. The last is far more entrancing that the first—when you realize Browne is laughing with you, rather than you at him (or, perhaps, vice versa).
The Paul & Joe show took place on a barge-cum-nightclub, where the models also disembarked to the adjacent embankment, expanding the runway into public space on a Friday at dusk. It was a friendly gesture—somewhat akin to Givenchy’s Spring ’16 dockside defilé—that wouldn’t have been possible three weeks ago when this stretch of the city was submerged under a swollen Seine.
At Lanvin, Lucas Ossendrijver had lines of poetry circling waists: “It doesn’t matter right or wrong,” read one. He also splattered his spring collection liberally with patches, graphic bands, photo prints and symbols, including many arrows
Riffing on the growing popularity of personalization in fashion, Faith Connexion took its heavily distressed interpretation of street style to new levels of unorthodoxy for spring.
Elias Black stripped down to his raw essence in Byron Bay 🌊🌿
Captured by Keith Archer for The Men Style Brasil March 2026, this intimate editorial is all about body, nature, and silent strength.
Kramer Evans becomes a living sculpture in Statuesque, captured through the refined lens of Daniel Jaems. A minimalist, powerful study of the male form that proves less is always more.