Tag: Wrangler

Culture Shock shot by Karim Konrad for HUF Magazine

All editorials of Karim Konrad...

Blake Robinson by JONO Photography

JONO Photography shares this gorgeous classic build man from Salt Lake City....

Beauty Bowtie Boy with Iván Noda by Jorge Moreno

http://www.youtube.com/watch?v=UMFg-VLPKlI Delivering a flamboyant but masculine energy, Sight Management model Iván Noda stars in most recent exclusive issue for...

HOPELESS SONS OF GUNS // MICHAEL DEL BUONO

HOPELESS SONS OF GUNS BY MICHAEL DEL BUONO // JON MAGAZINE #4 Another inspired and marvelous...

NO ONE TO SEE, I’M FREE AS THE BREEZE, NO ONE BUT ME, AND MY MEMORIES

NO ONE TO SEE, I'M FREE AS THE BREEZE, NO ONE BUT ME, AND MY MEMORIES | DSECTION #10...

Wrangler Spring/Summer 2014

Wrangler Australia enlists photographer Zachary Handley and stylist Megha Kapoor to produce their...
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Dangerously Good: Victor Ozuna’s Halloween Muscle Men

Blood, muscles, masks, and a wicked imagination. Victor Ozuna delivers a Halloween photography series where male beauty meets horror.

Kiernan Fagan: The Art of Discipline Through Hooli’s Lens

World champion freestyle skier, bodybuilding competitor and aspiring actor Kiernan Fagan steps into the spotlight in a striking Salt Lake City photo series by Hooli, exploring strength, style and cinematic masculinity.

James McDonell Makes Skincare an Art Form Through the Lens of Zuzia Zawada

Model James McDonell takes center stage in a luminous skincare portrait series by photographer Zuzia Zawada, where exceptional lighting, expressive close-ups, and modern male beauty become the ultimate visual statement.

Mortiz by Oskar Cecere: The Beauty of Being Unposed

Mortiz steps into the natural light for photographer Oskar Cecere, delivering a relaxed and intimate portrait series celebrating youthful masculinity and effortless sensuality.

Baptiste Giabiconi: The Shape of Him, Through Harol Baez’s Lens

Baptiste Giabiconi explores a new side of masculine style in The Shape of Him, a striking L’Officiel Hommes editorial photographed by Harol Baez and styled by Darryl Dickens.