Plain surfaces are overrated, Junya Watanabe seemed to say with his spring men’s collection, shown in a concrete parking garage plastered with colorful graffiti and worn by a cast of heavily tattooed models, to which the designer added more ink on limbs, faces and necks.
Junya Watanabe’s strength is in the relentless reiteration of a single notion or motif, stuttering through synonyms for a particular term in fashion’s vocabulary. It’s an idea he often turns to in his shows—taking an archetypal item or technique, and then exhausting it.
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