Ermanno Scervino imbued his fall collection with very feminine elements. He worked Lurex for turtlenecks, covered tuxedos with crystals, decorated sweaters with sparkling embellishments, while fluid shirts featured ruffles. The result was heavy handed and showed a certain lack of taste. Androgyny is definitely a trend, but one that should be handles with care.
Antonio Marras is a talented storyteller. He would probably make a good movie director or set designer—he’s well versed in various forms of artistic expression.
The titles of Giorgio Armani collections aren’t the pontificating, mysticism-wrapped epithets other designers favor. “Up to Date,” he called his Fall 2016 menswear Emporio Armani show. Isn’t that what fashion should always be?
The literal incorporation of motifs you see on the streets into clothes made to be worn on them is a path well beaten, most recently by Anya Hindmarch and Jeremy Scott. Today Christopher Kane followed this road too, but went at it in entirely his own direction.
Held in a railway arch carpeted with scree and lined with snow–topped foam boulders, this presentation was meant to transport us to an unspecified North, where we would hear The Call of the Wild.
New faces, sunlit skin, and effortless style—discover Callum, Gabriel, Jed, and George in this exclusive gallery for Parasol, shot by Rob Tennent. A fresh take on Australian swimwear.
David Bates II arrives in Los Angeles with ambition and purpose, captured through the cinematic lens of Tony Duran in a striking editorial where grit meets beauty.