Ermanno Scervino imbued his fall collection with very feminine elements. He worked Lurex for turtlenecks, covered tuxedos with crystals, decorated sweaters with sparkling embellishments, while fluid shirts featured ruffles. The result was heavy handed and showed a certain lack of taste. Androgyny is definitely a trend, but one that should be handles with care.
Antonio Marras is a talented storyteller. He would probably make a good movie director or set designer—he’s well versed in various forms of artistic expression.
The titles of Giorgio Armani collections aren’t the pontificating, mysticism-wrapped epithets other designers favor. “Up to Date,” he called his Fall 2016 menswear Emporio Armani show. Isn’t that what fashion should always be?
The literal incorporation of motifs you see on the streets into clothes made to be worn on them is a path well beaten, most recently by Anya Hindmarch and Jeremy Scott. Today Christopher Kane followed this road too, but went at it in entirely his own direction.
Held in a railway arch carpeted with scree and lined with snow–topped foam boulders, this presentation was meant to transport us to an unspecified North, where we would hear The Call of the Wild.
Jimmy Drew heats up the latest HUNK Menswear campaign wearing the new Hybrid Briefs collection — sleek, supportive, swim-ready essentials designed to enhance the modern male physique.
Carlos Alcaraz transforms into a modern sports and fashion icon for Vanity Fair’s The Global Sports Issue, photographed by Ethan James Green on clay courts with cinematic sensuality.
Dsquared2 unveils “Under The Rio Sun,” a sizzling Spring/Summer 2026 beachwear campaign photographed by Rafael Moura, blending sporty energy, tropical heat, and daring swimwear silhouettes.
Czech model Alex Nikolaj stuns in a striking black-and-white and color editorial photographed by Lukas Kimlicka at Závod, blending cinematic masculinity with timeless European style.