A Bob Marley medley backed Paul Smith’s spring show, where models loped a rainbow runway in snazzy clothes that were just as colorful, and occasionally trippy.
The Paul & Joe show took place on a barge-cum-nightclub, where the models also disembarked to the adjacent embankment, expanding the runway into public space on a Friday at dusk. It was a friendly gesture—somewhat akin to Givenchy’s Spring ’16 dockside defilé—that wouldn’t have been possible three weeks ago when this stretch of the city was submerged under a swollen Seine.
Riffing on the growing popularity of personalization in fashion, Faith Connexion took its heavily distressed interpretation of street style to new levels of unorthodoxy for spring.
Jonny Johansson, creative director of Acne, masterminded a strange and interesting game of musical chairs in the romantically ravaged interior of the Lycée Charlemagne. Every 60 seconds or so, the PA would stop pumping and his models would get up and pull their metal-legged chairs here and there across the floor before sitting down again once the tunes resumed.
Caio Enrico, straight from Brazil, is making waves in the States with natural curls, sharp bone structure, and effortless presence in front of Andre Gabb’s lens.
Ivan Ugrin takes over the new spring issue of TÊTU Magazine with a stunning cover, exclusive interview, and a 12-page editorial shot during Paris Fashion Week.