On the 3rd day at Milano Moda Uomo, Dirk Bikkembergs presents S/S 2018 an ethereal minimal collection for men.
Read moreHugo Boss Fall/Winter 2017 New York
Call it Boss 2.0. The collection designed by Ingo Wilts updated some of the company’s classic styles.
Read moreCerruti Fall/Winter 2017 Paris
For Celebration of Cerruti’s 50 Anniversary by Jason Basmajian at Place Vendôme.
Read moreMSGM Fall/Winter 2017 Milan
Massimo Giorgetti was horsing around for this youthful collection with an ath-leisure spirit and a dash of contemporary Elizabethan style.
Read moreDsquared2 Fall/Winter 2017 Milan
Dsquared2 presents its Fall/Winter 2017 in Milan Fashion Week. With an awesome collection! We love the oversized knitwear (hats and sweaters)! Lots of cool layering.
Read moreMissoni Fall/Winter 2017 Milan
“Order from Disorder” took us to an Japanese atmosphere by Angela Missoni Fall/Winter 2017 Menswear Collection in Milan Fashion Week. Such combination of creative patterns and color with comfort.
Read moreHugo Villanova as Kip Noll for ODDA 9 icons
story inspired by vintage Porn Actor Kip Noll for ODDA 9 Icons starring Hugo Villanova @VNY shot by Taylor Edward, Fashion Editor Javon Drake & Creative Direction David Martin
Read moreCoach Menswear Spring/Summer 2016 London
Stuart Vevers took the growing momentum behind the brand up a notch this season. The Lindley Hall transformed into a metaphorical playground as guests were invited to sit on the edges of skateboard ramps, pregnant with anticipation. Save for the grey London weather, it could well pass off as a day on Venice Beach.
Read moreChristopher Shannon Menswear Spring/Summer 2016 London
Christopher Shannon embraces this interesting Spring/Summer 2016 at London Collection Men, have you see their stunning revolutionary sneakers? Killing it, bomber jackets with short shorts love it. Unzipped pants and shirts, original. Graphic ironic sweatshirts.
Read moreAlexander McQueen Mens Fall/Winter 2015 London
Alexander McQueen The warehouse show space and the square formation of the audience resembled the grand spectacles that Lee McQueen used to put on. He seemed to have preferred the audience on all sides, looking in. Perhaps it was about adjusting the gaze inwards, a sensibility much ingrained in Lee’s work. It was true of Voss […]
Read more