Has any musician affected menswear more than David Bowie? Of course not: The menswear business should have paid him royalties. At today’s Burberry show, the first of significance since the news broke this morning of Bowie’s passing, the house paid impromptu tribute to the most exuberantly original re-inventor of them all.
The literal incorporation of motifs you see on the streets into clothes made to be worn on them is a path well beaten, most recently by Anya Hindmarch and Jeremy Scott. Today Christopher Kane followed this road too, but went at it in entirely his own direction.
How strange that the passing of David Bowie should come as his aesthetic ghost is already haunting the Fall 2016 men’s runways. Katie Eary’s show, for instance, bore his unmistakable imprimatur—jiggy, Ziggy graphic pattern; flowing silk; and that newly coined fashionable notion of gender fluidity that’s thus far come bound up in the simple notion of a man wearing a woman’s blouse.
KTZ follows the latter blueprint: The thumping music begins and the models hit the catwalk clad in getups that vary little, but enough, from season to season.
Brazilian heat meets Italian attitude 🇮🇹🔥
Aris Navarro fronts GCDS SS26 “Estate Italiana,” turning a raw rooftop into the sexiest runway of the season. Laundry, sunlight, and pure summer energy—this is fashion stripped down to its essence.
Alvise Rigo is the name defining 2026.
From rugby fields to cinematic frames, he steps into LE MILE Magazine’s Identity Issue 40 with a powerful statement on masculinity, vulnerability, and transformation.
Caio Enrico, straight from Brazil, is making waves in the States with natural curls, sharp bone structure, and effortless presence in front of Andre Gabb’s lens.