General Idea's Bumsuk Choi was inspired by the brutalism of architecture, its strength, functionality, and expression of materiality.
I've never heard of this label but...
The idiosyncratic look melds Diesel Black Gold’s core vocabulary. Tailoring is layered with sporty tracksuits, denim and corduroy, military jackets inspired by an officer’s...
Miuccia Prada made a modest proposal for spring/summer 2015, crafting her latest collection with wearability at the forefront. Denim pants solidified the season’s simple...
English designer Neil Barrett kicked off his spring/summer 2015 show with a clean pure white canvas, applying prints and graphics as his colors. Continuing an effortless...
Innovations and destructions; splendor and decadence, philosophy and romanticism, masculine and feminine are the sources to develop this new chapter: architecture vs space like...
The force was with Xander Zhou as the Chinese label presented its spring/summer 2015 range during London Collections: Men. Creating offbeat fashions for the style aficionado from...
Model James McDonell takes center stage in a luminous skincare portrait series by photographer Zuzia Zawada, where exceptional lighting, expressive close-ups, and modern male beauty become the ultimate visual statement.
Mortiz steps into the natural light for photographer Oskar Cecere, delivering a relaxed and intimate portrait series celebrating youthful masculinity and effortless sensuality.
Baptiste Giabiconi explores a new side of masculine style in The Shape of Him, a striking L’Officiel Hommes editorial photographed by Harol Baez and styled by Darryl Dickens.
From Loewe to Dior, Drew Starkey continues his creative partnership with Jonathan Anderson in a Spring 2027 campaign at LACMA, where museum masterpieces meet relaxed tailoring, faded denim, and a new interpretation of masculine luxury.
Joe Alwyn steps into an artist's studio for RIMOWA's latest campaign, where the new Umber and Ultramarine collections meet quiet luxury, contemporary menswear and creative individuality.