This is the fourth day at Paris Fashion Week, we have been extremely cautious presenting every fashion brand to you. This time we have the presentation by Lanvin and its Fall/Winter 2017-18 at Palais de Tokyo.
At Lanvin, Lucas Ossendrijver had lines of poetry circling waists: “It doesn’t matter right or wrong,” read one. He also splattered his spring collection liberally with patches, graphic bands, photo prints and symbols, including many arrows
Fall 2016 marks Lucas Ossendrijver’s 10th year designing for Lanvin. It’s an anniversary that has been eclipsed, it’s fair to say, by departures, both rumored and actual.
“It’s just a polo shirt,” Alber Elbaz said about the opening look for Lanvin’s spring show. Only this polo shirt, dramatically oversized, had been stonewashed intensively, with the most distressed parts crudely repaired with random stitches.
Model James McDonell takes center stage in a luminous skincare portrait series by photographer Zuzia Zawada, where exceptional lighting, expressive close-ups, and modern male beauty become the ultimate visual statement.
Mortiz steps into the natural light for photographer Oskar Cecere, delivering a relaxed and intimate portrait series celebrating youthful masculinity and effortless sensuality.
Baptiste Giabiconi explores a new side of masculine style in The Shape of Him, a striking L’Officiel Hommes editorial photographed by Harol Baez and styled by Darryl Dickens.
From Loewe to Dior, Drew Starkey continues his creative partnership with Jonathan Anderson in a Spring 2027 campaign at LACMA, where museum masterpieces meet relaxed tailoring, faded denim, and a new interpretation of masculine luxury.
Joe Alwyn steps into an artist's studio for RIMOWA's latest campaign, where the new Umber and Ultramarine collections meet quiet luxury, contemporary menswear and creative individuality.