The midsummer landscape in Sicily so ripples with dust and heat that it resembles the epic, parched vistas of Sergio Leone’s spaghetti Westerns. This observation—made, Stefano Gabbana said, somewhere deep between Palermo and Catania—was the catalyst for a collection that today incorporated a whole gulch of Western motifs.
Ermanno Scervino imbued his fall collection with very feminine elements. He worked Lurex for turtlenecks, covered tuxedos with crystals, decorated sweaters with sparkling embellishments, while fluid shirts featured ruffles. The result was heavy handed and showed a certain lack of taste. Androgyny is definitely a trend, but one that should be handles with care.
We started with an expensive, impressive, immersive projection of a snowy forest shot from the point of view of someone in rotation, dizzily. On the soundtrack, Björk Björk-ed, with all her glorious ethereal insistence. Were we about to witness some kind of snowbound breakdown for Abruzzo tailoring’s finest? Not so much. This was more of a lunchtime daydream, an Alpine projection from low altitude to high and back again—all before slipping back behind your desk.
Presidents Obama and Putin both wear Canali—but not quite like this. Under the creative direction of Andrea Pompilio, Canali continues to use the language of fashion as a gentle exploration of the boundaries of the sartorial.
Brazilian heat meets Italian attitude 🇮🇹🔥
Aris Navarro fronts GCDS SS26 “Estate Italiana,” turning a raw rooftop into the sexiest runway of the season. Laundry, sunlight, and pure summer energy—this is fashion stripped down to its essence.
Alvise Rigo is the name defining 2026.
From rugby fields to cinematic frames, he steps into LE MILE Magazine’s Identity Issue 40 with a powerful statement on masculinity, vulnerability, and transformation.
Caio Enrico, straight from Brazil, is making waves in the States with natural curls, sharp bone structure, and effortless presence in front of Andre Gabb’s lens.