This is Etro, so the show’s title, “State of Nature,” plus a runway background projection of forest floor, augured a russet autumn storm of foliage patterns.
Gucci’s fashion philosophy—as with most everything in the Gucci universe—has been upheaved in the past 12 months, since the appointment of creative director Alessandro Michele.
Antonio Marras is a talented storyteller. He would probably make a good movie director or set designer—he’s well versed in various forms of artistic expression.
The titles of Giorgio Armani collections aren’t the pontificating, mysticism-wrapped epithets other designers favor. “Up to Date,” he called his Fall 2016 menswear Emporio Armani show. Isn’t that what fashion should always be?
Andreas Melbostad is a solid, competent designer. His work as creative director has served Diesel Black Gold well, rebuilding its foundations, putting it on a sure footing, and conveying a compact message.
Fashion can sometimes exist in a bubble — insulated from the gloom and dreariness of world events. In the case of Thom Browne’s Moncler Gamme Bleu collection for fall, the bubble was a particularly big one — and the effect, unnerving, given the heightened security measures at the Milan shows this season.
New faces, sunlit skin, and effortless style—discover Callum, Gabriel, Jed, and George in this exclusive gallery for Parasol, shot by Rob Tennent. A fresh take on Australian swimwear.
David Bates II arrives in Los Angeles with ambition and purpose, captured through the cinematic lens of Tony Duran in a striking editorial where grit meets beauty.