According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot.
Astrid Andersen Face Fancy fashion London Collections: MEN Runways

Astrid Andersen Menswear Spring/Summer 2016 London

According to Danish-born designer Astrid Andersen, present day street culture is a universal language.

by fashionablymale
Comments 0

According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. ASTRID ANDERSEN MENSWEAR SPRING 2016772 According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot.

According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot.

READ  Shawn Alexander by Armando Adajar

0 comments on “Astrid Andersen Menswear Spring/Summer 2016 London”

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: