Astrid AndersenFaceFancy

Astrid Andersen Menswear Spring/Summer 2016 London

According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot.
fashionablymale
fashionablymale

According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. ASTRID ANDERSEN MENSWEAR SPRING 2016772 According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot. According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot.

According to Danish-born designer Astrid Andersen, present day street culture is a universal language. Her collection, set against the heady back alleys of the Shanghai metropolis and the hip-hop beats of Harlem, amplifies this borderless appeal. Andersen’s Spring/Summer 16 collection is a whirlwind of cultural references – both urban and ethnic – melded into one monolithic offer that could only be described as “sensitive thug.” Oversized basketball silhouettes blended with delicate Chantilly lace; the once hyper-masculine hip-hop infused male is finally baring his soft spot.

See also  DARKER SHADE OF GREY BY CALVIN BROCKINGTON FOR DOMINUS MAG
spot_imgspot_img

Subscribe

Try Apple News

Related articles

fashion

Deacon Phillippe Is The California Boy of ERL’s Sailing Collection

Deacon Phillippe embodies the modern California boy in ERL’s Sailing Collection, photographed by Eli Russell Linnetz at the brand’s Venice Beach studio.
Read more
Male Model

Arthur Becari Goes Full Cowboy: A Brazilian Hunk at the Ranch

Brazilian male model Arthur Becari takes his muscular physique to the ranch, pairing faded denim, a black cowboy hat and bare skin with water, weathered wood and rugged Western sensuality. Should he stay? After seeing this gallery, our vote is definitely yes.
Read more
men's fashion

Patrick Church Loves Tom Daley: Connor Dunham Models the Summer 2026 Collection

Connor Dunham models Patrick Church Loves Tom Daley, a limited-edition Summer 2026 collection uniting Church’s paintings with Daley’s knitting practice.
Read more
Male Model

Sergei Barsukov by Talish — A Study in Light and Form

Talish photographs Desired Model Management’s Sergei Barsukov in a powerful monochrome study of beauty, movement, and modern masculinity at Moscow’s SMENA Studio.
Read more
Male Model

Cale Millen Strips It Back in New York: New Black-and-White Portraits by Petros Kouiouris

Cale Millen steps in front of Petros Kouiouris’ lens for a stunning black-and-white studio session in New York City, showcasing timeless portrait photography at its finest.
Read more
spot_imgspot_img
Previous article
Lou Dalton Menswear Spring/Summer 2016 London
Next article
RJ Rogenski is a Stylish Survivor for GQ Germany July Editorial
fashionablymale
fashionablymale
With Chris's positive vibes, each photo session comes alive, whisking you into a world of unmatched beauty and cool. Explore Fashionably Male, where since 2010, we've nailed the best trends and stunning features.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.