There’s much more to Switzerland than watches and chocolate, as Bally’s creative director Simone Bellotti is increasingly discovering through a deeper exploration of the country. For the fall season, he was drawn to Swiss folk stories, including the legend of an Engadine Lake mermaid, which inspired the presentation of fishtail skirts in a below-the-knee length. (Source: WWD)
As was the case with the debut collection last September, Bellotti incorporated unconventional elements into the otherwise understated and refined designs, utilizing sculpted silhouettes. Examples of this include a tuft of shearling emerging from beneath a skirt or adorning the back of a biker jacket. Additionally, quirky details such as small bells and floral studs were added to the Glendale mary janes, structured bags, and even a men’s leather vest.
Under the stuccoed and frescoed vaults of Milan’s patrician 17th-century Palazzo Serbelloni, and accompanied by a soundtrack curated by DJ Leo Mas, models showcased forest green loden capes and coats. The fabric was also artfully fashioned into dresses featuring buttons running down the back. The outerwear collection presented a robust offering for both men and women, encompassing oversize Montgomery coats, jackets with curved hems, and exquisite vintage-inspired leather pieces.
Flashes of crimson, such as those seen in a mohair minidress or jacquard knits adorned with alpine motifs, served as striking interruptions within the serene, earthy color palette. Crisp cotton shirts and boatneck sweaters were elegantly paired with indigo denim jeans and block-heeled boots.
Bellotti’s second collection was compelling, highlighting his obvious reverence for Bally’s 173-year history and esteemed leather goods legacy. Simultaneously, he exudes confidence in his distinct brand vision, with the fall collection contributing another intriguing chapter to his personal narrative at Bally.
Bally Fall/Winter 2024 collection photographed by Carlotta Manaigo.
