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We started with an expensive, impressive, immersive projection of a snowy forest shot from the point of view of someone in rotation, dizzily. On the soundtrack, Björk Björk-ed, with all her glorious ethereal insistence. Were we about to witness some kind of snowbound breakdown for Abruzzo tailoring’s finest? Not so much. This was more of a lunchtime daydream, an Alpine projection from low altitude to high and back again—all before slipping back behind your desk.

Forget personalization, Fendi has spearheaded the personification of luxury product. And it’s cute and yes, please.

Massimo Giorgetti had half a dozen prints of artist Elizabeth Peyton’s misty, water-colored portraits pasted onto his Fall MSGM mood board.

This is Etro, so the show’s title, “State of Nature,” plus a runway background projection of forest floor, augured a russet autumn storm of foliage patterns.

Gucci’s fashion philosophy—as with most everything in the Gucci universe—has been upheaved in the past 12 months, since the appointment of creative director Alessandro Michele.

The titles of Giorgio Armani collections aren’t the pontificating, mysticism-wrapped epithets other designers favor. “Up to Date,” he called his Fall 2016 menswear Emporio Armani show. Isn’t that what fashion should always be?