Givenchy Resort 2023 Paris

The Givenchy Spring 2023 pre-collection by Creative Director Matthew M. Williams presents an archetypal, essential Givenchy wardrobe. Contrast is key: sharp tailoring pairs with distressed denim, animal print with glossy finishes, and fitted pieces with languid separates. 

A fresh take on men’s tailoring focuses on relaxed elegance and easy layering: long jackets, wide trousers and precise overcoats mix with new-gen fabrics and new knit and denim treatments. Casual looks consist of sweats with varsity lettering, the 4G emblem in knit jacquard, a tracksuit in technical nylon, and parkas with 4G buckles.​

A fresh take on men’s tailoring focuses on relaxed elegance and easy layering: long jackets, wide trousers and precise overcoats mix with new-gen fabrics and new knit and denim treatments. Casual looks consist of sweats with varsity lettering, the 4G emblem in knit jacquard, a tracksuit in technical nylon, and parkas with 4G buckles.​

I love how Matthew referenced Givenchy from the 50s and 60s and picked up an archival print from the ’80s yet completely forgot to mention Clare Waight Keller’s spring/summer 2020 collection which had had an obvious influence on this one. I must say, it’s not critically bad, at least it doesn’t look like that awful emo/punk Divided line from H&M but it’s getting more and more obvious that Williams’s stuff is just not good enough for the house. 

I will not comment on the menswear tho. There must be a person in their design team who has been pushing their “sportswear” slash motorcycle gear aesthetic and I’d like to see that person out of this house because it doesn’t work, has nothing to do with Givenchy, even the Tisci’s one, AT ALL and doesn’t sell that well to begin with.

The runway collections are produced in limited quantities, available in a handful of stores and the mass gets the branded stuff. 

While I appreciate that brands are selling RTW again, it’s a bit sad to see that fashion has disappeared from the stores. The sense of « wardrobe » has shifted for « merchandise ».

Contemporary brands are the only ones really pushing fashion tbh.

See also  Marc Jacobs Spring/Summer 2014

Matthew Williams took a wardrobe approach for this pared-back collection.

See more givenchy.com

spot_imgspot_img

Subscribe

Try Apple News

Related articles

LOEWE Spring/Summer 2027: American Sportswear Gets a Spanish Accent

Jack McCollough and Lazaro Hernandez bring relaxed American sportswear, bold color and playful proportions to LOEWE Spring/Summer 2027 menswear in Paris.

Balenciaga Spring 2027: Pierpaolo Piccioli Finds Freedom in the Everyday

Pierpaolo Piccioli brings couture thinking into the everyday for Balenciaga Spring 2027, loosening menswear through wide trousers, featherlight outerwear, washed denim and explosive color.

Tom Ford Spring 2027: Haider Ackermann Lets the Men Take More Risks

Haider Ackermann loosens up the Tom Ford man for Spring 2027 in Paris, mixing languid tailoring, silk robes, leather, tiny swim briefs and flashes of vivid color with the house's unmistakable appetite for seduction.

Maison Margiela Spring/Summer 2027: Menswear Finds Beauty in the Unfinished

Maison Margiela Spring/Summer 2027 loosens the rules of menswear with relaxed tailoring, washed denim, leather and unexpected flashes of color under Glenn Martens.

Roberto Bolle Covers Vogue Italia October 2026, Photographed by Szilveszter Makó

Roberto Bolle commands the second cover of Vogue Italia’s October 2026 issue, photographed by Szilveszter Makó in a cinematic celebration of ballet, fashion, culture and the male form.
spot_imgspot_img
fashionablymale
fashionablymale
With Chris's positive vibes, each photo session comes alive, whisking you into a world of unmatched beauty and cool. Explore Fashionably Male, where since 2010, we've nailed the best trends and stunning features.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.