The title of father-and-son team Joe and Charlie Casely-Hayford was nicely apposite for London menswear's themes as a whole: OF INDETERMINATE ORIGIN. That's not to say you couldn't have picked apart all the disparate threads of this, or any other of this week's shows: Nineties hip-hop, Sixties Mod discipline, rave-era Ibiza, Northern Soul, and all the other reference points that have clung round every collection. It's that all those things have become so melded together, so fused into something familiar yet strange, that the points of origin matter less and less. Instead, they're elements garbled in translation, warped and stretched into hybrids so far evolved that they've become almost entirely separate things.
One of the most striking outfits in Matthew Miller's Spring presentation featured a smartly tailored blazer over a linen tunic that hung in shredded tatters.
The inspiration points behind Agape Mdumulla and Sam Cotton's menswear collections have always been divertingly off-piste – from Lego bricks to upholstery prints to Japanese modernism, and from retro football jerseys to scuba gear to African oil logos.
This time around, the trigger was fear, harking back to childhood nightmares of baddies and ghosts. That expressed itself in hand-scrawled stripes and flapping bogeyman silhouettes, in murky shades of cocoa, slate, denim, and midnight blue. The workwear details which have been cropping up in collection after collection this week were here too, with sleek leather utility vests worn under drab macs.