We started with an expensive, impressive, immersive projection of a snowy forest shot from the point of view of someone in rotation, dizzily. On the soundtrack, Björk Björk-ed, with all her glorious ethereal insistence. Were we about to witness some kind of snowbound breakdown for Abruzzo tailoring’s finest? Not so much. This was more of a lunchtime daydream, an Alpine projection from low altitude to high and back again—all before slipping back behind your desk.
Presidents Obama and Putin both wear Canali—but not quite like this. Under the creative direction of Andrea Pompilio, Canali continues to use the language of fashion as a gentle exploration of the boundaries of the sartorial.
This is Etro, so the show’s title, “State of Nature,” plus a runway background projection of forest floor, augured a russet autumn storm of foliage patterns.
Gucci’s fashion philosophy—as with most everything in the Gucci universe—has been upheaved in the past 12 months, since the appointment of creative director Alessandro Michele.
New faces, sunlit skin, and effortless style—discover Callum, Gabriel, Jed, and George in this exclusive gallery for Parasol, shot by Rob Tennent. A fresh take on Australian swimwear.
David Bates II arrives in Los Angeles with ambition and purpose, captured through the cinematic lens of Tony Duran in a striking editorial where grit meets beauty.