Junya Watanabe’s strength is in the relentless reiteration of a single notion or motif, stuttering through synonyms for a particular term in fashion’s vocabulary. It’s an idea he often turns to in his shows—taking an archetypal item or technique, and then exhausting it.

Maison Kitsuné designers Gildas Loaëc and Masaya Kuroki called on Japanimation for their fall 2016 “Love Rises” men’s collection, interpreting it in their own singular, irreverent way. Referencing Hayao Miyazaki’s animated movie “The Wind Rises,” they mixed militaria with kawai, emblazoning World War II fighter planes, images of Mount Fuji and a crimson rising sun across much of the collection via print, jacquard and embroidered motifs.

Sleeves zipped partially off the rumpled parkas and beefy shearlings and dangled freely, somewhat deflating the large volumes Boris Bidjan Saberi explored for fall.

The supersized silhouettes that Yohji Yamamoto showed in his fall collection — think XXXL, thanks to shirts over puffers over trousers — seemed suitable for battling any natural element and were also strikingly on-point for the season. But to the designer, the layering was meant to be tongue-in-cheek, while underpinning a more serious theme.

Do you feel it coming? Spanish new sensation Kevin Yern is the new muse by photographer Jose Martinez.

Vivienne Westwood released her Spring/Summer 2016 campaign, shot by Juergen Teller.